Art and Conflict Panel hosted by LSE Festival

Saturday 02 March 2019 12:45pm to 2:00pm
Hosted by LSE Festival: New World (Dis)Orders

Wolfson Theatre, New Academic Building

The panellists will discuss the role of art and visual representation in response to conflict and dealing with its consequences.

Text Illuminations is an art installation by artist Nela Milic of the University of the Arts London (UAL) produced through inter-disciplinary collaboration with political scientists Dr Denisa Kostovicova, Dr Ivor Sokolic and Tom Paskhalis of the London School of Economics and Political Science (LSE).

This artwork is an interactive representation of a search for the meaning of reconciliation after mass atrocity through debates including people from all ethnic groups involved in a decade of conflicts in the Balkans. The artist and the political scientists join together to discuss the process of interdisciplinary collaboration to convert quantitative text analysis into art. The exhibition is part of a major AHRC-funded project, ‘Art & Reconciliation: Conflict, Culture and Community’, led by King’s in collaboration with the University of the Arts London and the London School of Economics.

The work will be contextualised in relation to the early findings of a DFID-funded project, the Conflict Research Programme, led by LSE, which explores conflict in relation to notions of identity, civicness and the political marketplace. Contemporary conflicts often combine attacks on civil society, culture and cultural heritage. The panel will also explore how, in responding to this civicness, art and the defence of cultural heritage can come together.

Denisa Kostovicova is an Associate Professor in Global Politics at the European Institute and the Department of Government at the London School of Economics and Political Science. She studies post-conflict reconstruction and transitional justice with a particular interest in the bottom-up perspective on transitions from war to peace.

Nela Milic is an artist and an academic working in media and arts, and is Senior Lecturer and Year 2 Contextual and Theoretical Studies Coordinator in the Design School at London College of Communication.

Tom Paskhalis is a PhD candidate at the Department of Methodology, LSE. His research is focussed on comparative politics and the development and application of new approaches to quantitative text analysis.

Dr Ivor Sokolić is a Research Officer at the European Institute at the London School of Economics and Political Science. He works on the ERC funded project “Justice Interactions and Peacebuilding: From Static to Dynamic Discourses across National, Ethnic, Gender and Age Groups”.

Denisa Kostovicova, Ivor Sokolic, Tom Paskhalis and Nela Milic discuss the process of interdisciplinary collaboration, which turned a political science method into an art installation in their blog piece Text Illuminations: From the Method to the Artefact.

Henry Radice is a Reseach Fellow in the Department of International Development, LSE.

Twitter hashtags for this event: #LSEFestival #NewWorldDisorders

This event is part of the LSE Festival: New World (Dis)Orders running from Monday 25 February to Saturday 2 March 2019, with a series of events exploring how social science can tackle global problems.

Book your ticket here.

Reconciliation as Activity: Constraints and Possibilities

Ivor Sokolić and Denisa Kostovicova, London School of Economics and Political Science

Reconciliation is proving to be a problematic concept for both practitioners and academics: it is laden with normative expectations and is often rejected by local publics. Ivor Sokolic and Denisa Kostovicova report on the exchange with civil society in Kosovo on reconciliation as activity. Participants shared their experiences of how interethnic contact between individuals through a variety of activities often had unintended positive outcomes for intergroup relations.

On 05 March 2018 the London School of Economics and Political Science, as a part of the ‘Art and Reconciliation: Conflict, Culture and Community’ project (artreconciliation.org), held a collaborative workshop in Prishtina titled “Activity as Reconciliation: Lessons from Practice”. The event was organised together with our local partner in Kosovo, the Centre for Research, Documentation and Publication (CRDP), who work on, and research, themes of peace, justice and truth in Kosovo. There was considerable overlap with the CRDP’s work on human security and reconciliation and our own, which made for a natural partnership for the workshop organisation. The workshop was attended by representatives of local and international civil society organisations who conduct a range of activities within communities and across ethnic lines. Some dealt directly with reconciliation issues (for example, efforts in coming to terms with the past), but many did not (for example, youth dialogue programmes).

The workshop dealt with one of the key research questions behind the AHRC-funded project, ‘Art and Reconciliation’: how to reconceptualise reconciliation? Our partner’s findings on reconciliation show the importance of this question in the post-conflict context in Kosovo. They find that projects under the label of reconciliation were initiated too early, are simultaneously both unclear and too ambitious, and favour one side of the conflict (the full results can be found here). This has often resulted – mirroring experiences in other post-conflict contexts – in the rejection of the concept on normative grounds. The biggest challenge, then, is how to reconcile this rejection with the necessity, as well as the desire expressed by many who themselves have suffered from violence, to work on social repair for the sake of peace.

The workshop addressed this conundrum by reframing reconciliation as activity. The premise here is to focus on activities that, sometimes labelled as reconciliatory and sometimes not, lead to better relations between groups. Underpinning this was the idea that activities that involve contact between different groups – be it physical or symbolic (such as interaction with outgroup symbols), intentional or unintentional – can lead to positive outcomes for intergroup relations. Many of these activities are missed in traditional appraisals of reconciliation, which are loaded with specific expectations of what the process and outcomes ought to look like. This focus on activity, then, helps to reconceptualise and critique reconciliation. Together with civil society organisations, we shared experiences of what types of activity can aid reconciliation and what is it about these types of activity that make them conducive to transforming interethnic relationships. We questioned if this concept was useful, and if not, what concept would be more useful from a practice-oriented point of view?

Representatives of civil society exhibited a readiness to acknowledge the problems associated with the normative load of reconciliation, which had become an impediment to the work they were undertaking. Some felt trapped, since they needed to adhere to labels to attain funding, but these labels hampered their work. Organisations experienced hostility towards their work, if they labelled it as reconciliatory. At the same time, numerous examples were provided of activities they had undertaken that had positive outcomes on intergroup relations, but which did not fall under the label of reconciliation. Participants also noted a number of macro and micro factors that inhibited these types of activities from taking place. Three key themes, with clear policy implications, underpinned the discussions on the day.

Structural barriers to activity

First, the structural dimension of activities that can aid, or hinder, reconciliation was highlighted. On the macro level, dynamics between the global and the local; donors and civil society organisations; and civil society and the state, all defined the structural framework within which organisations operated, and by which they were often constrained. The ghettoisation of minorities, segregated educational systems and regional divergence in state capacity within Kosovo made it easier for organisations to conduct activities between Kosovo Albanians and Serbs from Serbia, rather than with Kosovo Serbs. These macro level differences also fed into other issues. Differences in education provisions meant participants noted that the language barrier between Serbs and Albanians, who do not speak each others’ language, which is often seen as an intrinsic barrier to cooperation, could be overcome through the shared understanding of English. This was, however, found to disadvantage Kosovan Serbs who lacked sufficient English skills to communicate with Albanians. An inability to communicate within Kosovo thus forecloses opportunities for reconciliation even when reframed as activity.

Generational focus of activity

The generational dimension, with an emphasis on youth and the transgenerational dimension of reconciliation, was the second key theme underpinning discussions. Many civil society organisations targeted their work at young people and saw positive outcomes between groups. These organisations defined success in their work as educating young people about opportunities to travel, to converse with other groups and, sometimes, as enabling such travel and exchanges. They believed these activities provided participants with new information that questioned dominant narratives about the conflict, as well as an invaluable opportunity to meet members of the other ethnic group. These situations did not involve discussions about politics, society or violence at first, but through socialisation outside of the core activities of travel or exchanges (for example, over drinks) and in the pursuit of common interests (for example, interests in the arts or music), these conversations began to occur. They “talked about the war incognito”. This finding contradicts the commonly assumed premise that the divergent, ethnically-centred, representations of conflict are an obstacle to discussions about the most delicate issues concerning the conflict. In this respect, activities that are not primarily addressed at reconciliation, through challenging dominant narratives about the conflict, facilitate exchange on the most challenging issues dividing Serbs and Albanians.

Formal resistance to reconciliation

Much of the activity with positive intergroup outcomes that organisations had undertaken occurs in the informal domain, which emerged as the third key theme of the day, but these processes meet resistance from formal institutions and societal norms. Informality, across all levels of society, was seen as a space where friendships were created. The informal spaces at the margins of reconciliation efforts contained some of the most meaningful interactions between groups. They were spaces where constraints surrounding interaction across ethnic lines disappeared. Civil society organisations believed there was a readiness to reconcile, observed through informal activities that resulted in restoration of torn relations between members of the two communities. This trend was also documented in the LSE-based research (available here), that found that Albanians’ and Serbs’ participation in Kosovo’s informal economy that cuts across ethnic lines leads to creation of friendships, and was reflected in the above-mentioned study by the CRDP (available here). The positive will to change was, however, obstructed by societally defined boundaries that formal institutions reproduce. Organisations cited examples of cultural programmes, exchanges or interethnic sports events that were literally halted by politics. They also highlighted the reproduction of ethnic division through textbooks, nationalist political rhetoric and the political instrumentalisation of minorities. The effect was that individuals often made friends with members of the other ethnicity in the informal setting or away from their home or in spaces where they would not be exposed to public scrutiny, only for these interactions to be sanctioned by their own ethnic communities.

Summary

Overall, the workshop provided a forum for dialogue based on evidence deriving from academic research and experience from practice focused on reconceptualising reconciliation as activity. This recognised the paradox of people’s desire and need for normalisation of relations, dignity and reckoning with the legacy of conflict and the hostility towards the concept of reconciliation. The resulting outputs will be both academic publications (including a journal special issue edited by I. Sokolić) and a policy brief for local and international policy makers. The policy suggestions will focus on the roles of education, youth and cultural activities. Improved English language teaching across ethnic lines can provide a lingua franca for future generations. Youth exchange projects will be recommended since they are cost-effective and not typically labelled as reconciliatory. Furthermore, activities in the cultural sphere, such as the arts, will be highlighted due to their potential to help younger generations from different ethnic groups meet each other and bond over shared interests.

 

Art & Reconciliation blogs on ARTIJ Initiative

Rachel Kerr and Milena Michalski have both written blogs on Art & Reconciliation research for the Art and International Justice Initiative.  The ARTIJ Initiative connects academics, artists, practitioners and others wishing to explore the potential of art in understanding international justice.

Read here:

Art & Reconciliation by Milena Michalski

Art, Justice and Reconciliation by Rachel Kerr

 

CfP ISA 2020: Participatory Arts in Peacebuilding contexts

Call for Papers ISA 2020: Participatory Peacebuilding

Whilst participatory approaches have long been on the research agenda in development studies, their value in peacebuilding settings is underexplored. The panel begins from the assumption that turning to these sites and practices has the potential to add value to peacebuilding debates methodologically (as academics think about new ways to produce ‘research data’), empirically (as new sites of peacebuilding and transition are opened up) and theoretically (as the fundamental tenants of what constitutes peace are questioned as a result of listening to new voices and turning to new practices). The panel builds on the AHRC and GCRF funded project ‘Changing the Story’. This has has turned to artistic and creative participatory projects as a means to explore how this can offer transformative means through which peace and peacebuilding are understood. To this end, we welcome abstracts that address the role of participatory approaches to peacebuilding, and in particular that address the following questions:

– What effect do participatory approaches have in peacebuilding contexts? How is this impact explained?
– How does a participatory approach alter what narratives of peace and peacebuilding are heard?
– What methodological challenges exist with researching these projects and their impact? How can these be overcome?
– How do different types of artistic and creative practices alter the a/effect of these interventions?
– Which aspects of peacebuilding, and which legacies of past violence, is a participatory approach best positioned to address?
– What are the dangers of a participatory approach?
– What lessons can be learned from participatory development?

Abstracts should be sent to henry.redwood@kcl.ac.uk by 26 May -who is happy to answer any questions about this too.

2nd March 2019; Panel: Art and Conflict, hosted by LSE Festival

Saturday 02 March 2019 12:45pm to 2:00pm; Hosted by LSE Festival: New World (Dis)Orders; Wolfson Theatre, New Academic Building

Dr Denisa Kostovicova, Dr Nela Milic, Tom Paskhalis and Dr Ivor Sokolić will discuss the role of art and visual representation in response to conflict and dealing with its consequences.

For further info see here.

The Testimony of the Image; Symposium, London, March 6th 2019

The Testimony of the Image: Visualizing War Crimes Tribunals

As part of LCC’s Research Fortnight, this symposium will explore the visual staging of War Crimes Tribunals from Nuremburg to the ICTY. The main presentation will be by photographer Armin Smailovic, who will talk about his ‘Testimony Portraits’ of witnesses giving evidence at the ICTY and his Sounds of Silence project that deals with female survivors of wartime rape in Bosnia Herzegovinia. Max Houghton of LCC will also talk about her research on the embodied nature of testimony to war crimes tribunals from Nuremburg to Rwanda, whilst Professor James Gow of the War studies department at King’s college will discuss the theme of Pictures of Peace and Justice.

For further information see here.

Reconciliations: The Evidence of the Visible; Exhibition, London, March 6th-15th 2019

Wednesday 6 – Friday 15 March 2019
PARC W224
London College of Communication
Elephant & Castle, London, SE1 6SB
Free and open to all.

This exhibition explores how visual evidence of past crimes can play a role in post conflict remembrance, reconciliation and rebuilding.  Featuring artists Paul Coldwell, Nermin Divović, Ziyah Gafić,
Milena Michalski, Vladimir Miladinović and Armin Smailović.

For more information see here.